Ritchin also discusses the proposal of a “not-a-lens” icon on manipulated images. I think that this could be either extremely beneficial or possibly hazardous. In fashion magazines and commercials it would be beneficial to recognize that the figure has been Photoshoped to be skinnier, or a product made more colorful. However what if you were to see that icon in the bottom corner of a picture in National Geographic or Newsweek. One might question what was manipulated in the photograph, or if it even is real. It would be alarming to see an image of war with that icon in the bottom, because what would be real and what would be fabricated?
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